Bibliografía

Clive Adams (Editor), Daro Montag (Editor) (2016) Soil Culture. Bringing the Arts Down to Earth. Gaia Project Press.

Peio Aguirre (2007) "Mapas conscientes (entrevista a Ibon Aranberri)". Ecology, Luxury & Degradation, UOVO/14. The Bookmakers.

Pernille Albrethsen (Editor) (2013) XXXXXXXXX: An Artist with 6 Legs. Charlottenborg Kunsthal.

Carla Alcalá Badías (2023) Cripto-mitologías Húmedas. Medialab Matadero. Consultado el 21/05/2024.

Carla Alcalá Badías (2024) EC Black Ceramics. Consultada el 08/02/2024.

Carmen Aldama (2014) "Jellyfish Barge, o lo que la ciencia ficción soñ". Experimenta.

Corina L. Apostol, Nato Thompson (2019) Otobong Nkanga. In Making Another World Possible. Routledge.

Ibon Aranberri (2002) Desartxibo. Diputación Foral de Gipuzkoa., Departamento de cultura, euskera, juventud y deportes.

Ars Electronica Linz (2023) "Server Farm". S+T+ARTS Prize.

Dadine Botha (2022) "James Bridle: Work that Works". DAMN Magazine, 82.

Richard Bright (2019) "Exploring The Material Nature Of Our World And How We Experience It". Interalia Magazine.

Ane Bülow (2013) "Ten Questions: Superflex". Kunstkritikk, 10/12/13. [Entrevista].

Nina Canell, Fionn Meade, Niamh Nicghabhann (2012) Nina Canell. AMC Collezione Coppola.

Ele Carpenter (Editor) (2016) The Nuclear Culture Source Book. Black Dog Publishing in partnership with Bildmuseet, Sweden and Arts Catalyst.

Mel Chin (2014) "Here Comes the Money: Solar Power and Self-Determination in Western Sahara". Creative Time Report.

Minerva Cuevas, Patrick Charpenel, Esther Gabara, Francis McKee, Melanie Roumiguière (2023) Minerva Cuevas. Editorial RM.

Minerva Cuevas, T. J. Demos Conversación, in VV. AA. (2013) SITAC IX: Teoría y práctica de la catástrofe. pp. 160-174. Editorial Patronato de Arte Contemporáneo.

Cara Daggett (2018) "Petro-masculinity: Fossil Fuels and Authoritarian Desire". Millennium, 47(1). pp. 25-44.

José Luis De Vicente (2017) Después del fin del mundo, 2017. Barcelona: Centro de Cultura Contemporánea de Barcelona -CCCB y Gabinete de prensa y comunicación de la Diputación de Barcelona, pp. 96-107.

Michel Dewilde, Kristel Van Audenaeren, Koyo Kouoh (2022) Otobong Nkanga: Underneath the Shade We Lay Grounded. Cannibal Publishing.

Travis Diehl (2022) "New Earthworks. The ASU Art Museum". ArtNews, Art in America.

Marjolijn Dijkman (2024) Consultado el 08/02/2024.

Ben Eastham (2017) "Allora & Calzadilla Foreign in a Domestic Sense". ArtReview.

Irmgard Emmelhainz (2017) "Algunas reflexiones sobre la 57ª Bienal de Venecia". Campo de relámpagos.

Anselm Franke (2005) B-Zone. Becoming Europe and Beyond. Actar.

G. Garcia-Anton (Editor) (2020) "Dismembering the Collective Body. Let The River Flow". OCA. Norway/Valiz.

Tag Gronberg (2008) "Simon Starling: Crafting the Modern". The Journal of Modern Craft, 1 (1). pp. 101-115.

Ingrid Halland (2021) Ung uro: Unsettling Climates in Nordic Art, Architecture and Design. Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing) p. 156.

Hou Hanru, Anne Palopoli (2018) Blackout. Allora & Calzadilla.. Roma: Lazy Dog.

Martin Herbert, Asmund Thorkildsen (2012) Leonard Rickhard: Paintings. Arnoldsche Art Publishers, Stuttgart, Germany.

Laura Herman, Alexis Wilkinson, Nina Canell (2023) "Nina Canell. In a failed system new systems have space to grow". CCS Bard, Bomb Magazine. Consultado el 07/07/2023.

Marta Herrero (2020) "Undoing the Market: Corporate Sponsorship and Activist Protests at Tate Galleries". Liminalities, 16(1). 1-18.

Inge Hinterwaldner (2014) "Semiconductor’s Landscapes As Sound-Sculptured Time-Based Visualizations". Technoetic Arts, Vol. 12, N. 1. pp. 15-38.

Arnau Horta (2021) Entrevista a Arnau Horta, Cabosanroque, Andrés Hispano i Fèlix Pérez-Hita “Petromasculinitats”. Bòlit, Centre d’Art Contemporani. Girona (01/11/2021).

Simon Ings (2016) "Flying machines and chickens: The art of thinking about science". NewScientist.

Anab Jain, Jon Ardern, Danielle Knight (2019) "Mitigation of Shock: Post-Occupancy Anthropology". Architecture Design, 89, nº. 3 Special Issue: The Business of Research: Knowledge and Learning Redefined in Architectural Practice. pp. 54-59.

Adam Kleinman (2019) "Lofoten International Art Festival". e-flux Criticism.

Alice Lamperti (Editor), Roxanne Mackie (Editor) (2020) Aerocene. Movements for the Air. Munich Landing. Aerocene Foundation.

M7RED (2020) "Mapuche Tactics Against the Drillers of Vaca Muerta". The Funambulist, 31.

Mauricio Marcín (2023) Mirar con nuestros ojos de montaña. [Hoja de sala].

Michael Marder, Anaïs Tondeur (2016) Chernobyl Herbarium: Fragments d’une conscience en éclats. Mimesis.

Kyveli Mavrokordopoulou (2020) "Du temps et des fleurs contaminées : sur l'oeuvre de Susanne Kriemann et d'Anaïs Tondeur". Esse, 99. 32-39.

Jane Morris (2019) "Entrevista a Julian Charrière". The Art News Paper, 13 de junio de 2017.

Tor Nørretranders (Editor) (2015) Cover of Light! On Light in Life and the Life in Light. Klampenborg.

Boris Ondreička (Editor), Nadim Samman (Editor) (2016) Rare Earth. Berlin: Sternberg Press.

Sue Paid (2017) Ecovention Europe. Art to Transform Ecologies, 1957-2017. Museum De Domijnen Hedendaagse Kunst, pp. 138-140.

Colin Perry (2011) "Marjolijn Dijkman". Art Monthly, 347. pp. 22-23.

Ekin Pinar (2019) "Site-Specific Protest: Liberate Tate’s Performances at Tate Modern". METU Journal of the Faculty of Architecture, 36(2). 29–44.

Mikel R. Nieto (2023) "Siéntelo con el oído". Dark Sound. Allí, donde suena el diablo.

Mikel R. Nieto (2016) Dark Sound. Gobierno Vasco & Gruenrekorder.

Anna Rado (2014) "Medusas Barge: el invernadero flotante modular nos salvará". Social Design Magazine.

Rakesh Ramchurn (2014) "Ooze unveils wind-operated art project for Folkestone Triennial". Architects' Journal, 14 de agosto de 2014.

Mark Rappolt (2013) "Profile: Simon Starling". Art Review, 66. pp.70-75.

Michael Richardson (2020) "Witnessing the Anthropocene: Affect and the Problem of Scale". Parallax, 26 (3). 339-359.

Pussy Riot (2013) Desorden púbico. Una plegaria punk por la libertad de expresión. Malpaso Ediciones.

Jøran Rudi (Editor), Cathy Lane (Editor), Angus Carlyle (Editor) (2021) "Sound Arts Now. Axminster: Uniformbooks, 2021". Organised Sound, 26. pp. 428-429. DOI: 10.1017/S1355771821000522.

Isaura Ruiz (2022) "Marcela Armas: Museo de Arte Contemporáneo Carrillo Gil". Art Nexus: el nexo entre América Latina y el resto del mundo, Año: 2022, (119). p 39.

Gijs Schalkx (2022) "The Uitsloot Project". DAMN, nº81, SPRING 2022.

Abby Schroering (2018) "Black Sea Files: Transnational Ecologies, Counter Cartographies, And Diffuse Agency in Ursula Biemann’s Video Essay". Transnational Cinemas, 9. 1-19.

Susan Schuppli Trace Evidence: A Nuclear Trilogy, in Ele Carpenter (Editor) (2016) The Nuclear Culture Source Book. Black Dog Publishing in partnership with Bildmuseet, Sweden and Arts Catalyst.

Susan Schuppli (2020) Material Witness: Media, Forensics, Evidence. MIT Press.

Emily Eliza Scott (Editor), Kirsten J. Swenson (Editor) (2015) Critical Landscapes: Art, Space, Politics. (pp. 193-195). Berkeley: University of California Press.

Noam Segal (2021) "Systemic Errors of Collective Intelligence. A Conversation with Agnieszka Kurant". FLASH ART, nº. 336 FALL 2021.

Gregory Sholette (Editor), Oliver Ressler (Editor) (2013) It’s the Political Economy, Stupid: The Global Financial Crisis in Art and Theory. Pluto Press.

Luke Skrebowski (2013) "After Hans Haacke: Tue Greenfort and the Problem of an Eco-Institutional Critique". Third Text, 27 (1). pp. 115-130.

Luke Skrebowski On Tue Greenfort, Exceeding 2 Degrees (2007), in Emily Eliza Scott (Editor), Kirsten J. Swenson (Editor) (2015) Critical Landscapes: Art, Space, Politics. (pp. 193-195). Berkeley: University of California Press.

Sue Spaid (2017) Ecovention Europe. Art to Transform Ecologies, 1957-2017. Museum De Domijnen Hedendaagse Kunst, pp. 165-195.

Nadya Tolokonnikova (2018) El libro Pussy Riot: De la alegría subversiva a la acción directa. Roca Editorial.

Studio Tomás Saraceno (Editor) (2017) Aerocene. Skira.

Mathieu Tremblin (2012) Pratiques artistiques urbaines et création-recherche : récits d'expériences, dialogues et enjeux. Art et histoire de l'art. Tesis doctoral, Universidad de Estrasburgo.

Anna L. Tsing, Jennifer Deger, Alder Keleman, Feifei Zhou (2020) Feral Atlas: The More-Than-Human Anthropocene. Stanford University Press.

Anna L. Tsing, Andrew S. Mathews, Nils Bubandt (2019) "Patchy Anthropocene: Landscape Structure, Multispecies History, and the Retooling of Anthropology". Current Anthropology, 60 (2019): S186-S197.

Dejan Vasic, Oliver Ressler (Editor) (2020) Oliver Ressler: Gathering Around Wreckage. Belgrade: Cultural Centre of Belgrade.

Wenche Volle, Asmund Thorkildsen (2001) Leonard Rickhard - Det hvisker så svakt i bjørkeskogen. Astrup Fearnley Museet for moderne kunst.

VV. AA. (2013) SITAC IX: Teoría y práctica de la catástrofe. pp. 160-174. Editorial Patronato de Arte Contemporáneo.

Joanna Warsza, Olafur Eliasson (2017) "A Degree of Functionalisation Doesn’t Immediately Derail the Cultural Train, Olafur Talks to Joanna Warsza". Studio Olafur Eliasson GmbH. pp. 237 – 248 [Entrevista].

Pablo Wendel (Editor) (2016) Performance Electrics, Karl Schmidt-Rotluff Förderungsstiftung Berlin und Studienstiftung des deutschen Volkes. Kunsthalle Düsseldorf. [Catálogo exposición].

Eirik Zeiner-Henriksen (2021) Sensing Algae: On Marjolijn Dijkman and Toril Johannessen’s Reclaiming Vision. pp. 129-236.