{"id":35009,"date":"2023-04-19T11:04:26","date_gmt":"2023-04-19T09:04:26","guid":{"rendered":"https:\/\/desarrollo.montera34.com\/?p=35009"},"modified":"2023-04-19T11:20:18","modified_gmt":"2023-04-19T09:20:18","slug":"iv-session-of-the-permanent-seminar-images-of-art-and-political-ecology","status":"publish","type":"post","link":"https:\/\/desarrollo.montera34.com\/en\/conferences\/iv-session-of-the-permanent-seminar-images-of-art-and-political-ecology\/","title":{"rendered":"IV session of the permanent seminar &#8220;Images (of art) and political ecology&#8221;"},"content":{"rendered":"<div><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-35004\" src=\"https:\/\/desarrollo.montera34.com\/wp-content\/uploads\/2023\/04\/IMG20220603152451-135x300.jpg\" alt=\"\" width=\"135\" height=\"300\" srcset=\"https:\/\/desarrollo.montera34.com\/wp-content\/uploads\/2023\/04\/IMG20220603152451-135x300.jpg 135w, https:\/\/desarrollo.montera34.com\/wp-content\/uploads\/2023\/04\/IMG20220603152451-461x1024.jpg 461w, https:\/\/desarrollo.montera34.com\/wp-content\/uploads\/2023\/04\/IMG20220603152451-768x1707.jpg 768w, https:\/\/desarrollo.montera34.com\/wp-content\/uploads\/2023\/04\/IMG20220603152451-691x1536.jpg 691w, https:\/\/desarrollo.montera34.com\/wp-content\/uploads\/2023\/04\/IMG20220603152451-922x2048.jpg 922w, https:\/\/desarrollo.montera34.com\/wp-content\/uploads\/2023\/04\/IMG20220603152451-scaled.jpg 1152w\" sizes=\"auto, (max-width: 135px) 100vw, 135px\" \/><\/div>\n<div><\/div>\n<div><\/div>\n<div><strong><span style=\"color: #000000;\">IV session of the permanent seminar &#8220;Images (of art) and political ecology&#8221;: Contesting conservation. May 11, 2023<\/span><\/strong><\/div>\n<div><\/div>\n<div><span style=\"color: #000000;\">This session is conceived as a continuation of the seminar &#8220;<a style=\"color: #000000;\" href=\"http:\/\/tractsnetwork.online\/2023\/04\/06\/cfp-tracing-temporalities-unearthing-collections\/\">Tracing Temporalities \/\/ Unearthing Archives<\/a>&#8221; of the Cost Action TRACTS held at the Humboldt University of Berlin, in which Fossil Aesthetics research group was present through the participation of <a style=\"color: #000000;\" href=\"https:\/\/desarrollo.montera34.com\/miembros\/alberto-berzosa\/\">Alberto Berzosa<\/a> and <a style=\"color: #000000;\" href=\"https:\/\/desarrollo.montera34.com\/miembros\/pablo-martinez\/\">Pablo Mart\u00ednez<\/a>.<\/span><\/div>\n<div><\/div>\n<div><span style=\"color: #000000;\">The paintings by Remedios Varo, the drawings by Dora Garc\u00eda, the cinema by Rosa Barba, the videos by Patricia Esquivias, the tapestries by Teresa Lanceta and the sculptures by Eva Lootz are, more than anything else, matter. To be more precise: aggregates of matter of diverse nature. The conceptual propositions, as well as the sensitive power of all these artistic creations depend on the conditions of their materials, which require specific attention and care once they enter the museum and the archives, machines that fossil modernity conceived to stop time. Paradoxically, in the time in which the second Law of Thermodynamics was developed and the entropic condition of the universe became evident, new institutions were born and expanded whose main function is to produce the fiction that some of the works of humanity will pass to eternity. To achieve this end, and thanks to the energy exuberance provided by the intensification of fossil extraction and combustion, during the last century museums and archives designed and internationally agreed upon the ideal thermal conditions to become independent from the natural world and configure their own climatic universe. Based on the artistic proposals of Hans Haacke and Joana Moll, and the specific case of the Arquivo Nacional das Imagens em Movimento (ANIM) of the Cinemateca Portuguesa, we will address some of these issues in order to think about museum and archive institutions not only in terms of sustainability but also in terms of confidence in their power as a producing machines of habits and imaginaries. If the museum and the archive were re-conceptualized in the 19th century as spaces to civilize the populations that were beginning to multiply in the cities and at the same time to show the power of the states to order people, things, their memories and legacies, museums and archives to come should update their function according to the climatic emergency.<\/span><\/div>\n<div><\/div>\n<div><span style=\"color: #000000;\">If you wish to attend the seminar, which will take place at the Centro de Ciencias Humanas y Sociales del CSIC (C\/ Albasanz, 26, Madrid, room to be determined) on May 11, 2023 at 10 am, please let us know through <a style=\"color: #000000;\" href=\"https:\/\/desarrollo.montera34.com\/contacto\/\">this<\/a> contact fo<\/span>rm.<\/div>\n","protected":false},"excerpt":{"rendered":"<p>IV session of the permanent seminar &#8220;Images (of art) and political ecology&#8221;: Contesting conservation. May 11, 2023 This session is conceived as a continuation of the seminar &#8220;Tracing Temporalities \/\/ Unearthing Archives&#8221; of the Cost Action TRACTS held at the Humboldt University of Berlin, in which Fossil Aesthetics research group was present through the participation [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":35004,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"actividad":[82],"class_list":["post-35009","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","actividad-seminars"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>IV session of the permanent seminar &quot;Images (of art) and political ecology&quot; - Est\u00e9tica F\u00f3sil<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/desarrollo.montera34.com\/congresos\/iv-sesion-del-seminario-permanente-imagenes-del-arte-y-ecologia-politica\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"IV session of the permanent seminar &quot;Images (of art) and political ecology&quot; - Est\u00e9tica F\u00f3sil\" \/>\n<meta property=\"og:description\" content=\"IV session of the permanent seminar &#8220;Images (of art) and political ecology&#8221;: Contesting conservation. May 11, 2023 This session is conceived as a continuation of the seminar &#8220;Tracing Temporalities \/\/ Unearthing Archives&#8221; of the Cost Action TRACTS held at the Humboldt University of Berlin, in which Fossil Aesthetics research group was present through the participation [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/desarrollo.montera34.com\/congresos\/iv-sesion-del-seminario-permanente-imagenes-del-arte-y-ecologia-politica\/\" \/>\n<meta property=\"og:site_name\" content=\"Est\u00e9tica F\u00f3sil\" \/>\n<meta property=\"article:published_time\" content=\"2023-04-19T09:04:26+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-04-19T09:20:18+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/desarrollo.montera34.com\/wp-content\/uploads\/2023\/04\/IMG20220603152451-scaled-e1681894999963.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1152\" \/>\n\t<meta property=\"og:image:height\" content=\"2560\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Alberto Berzosa\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Alberto Berzosa\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/desarrollo.montera34.com\\\/congresos\\\/iv-sesion-del-seminario-permanente-imagenes-del-arte-y-ecologia-politica\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/desarrollo.montera34.com\\\/congresos\\\/iv-sesion-del-seminario-permanente-imagenes-del-arte-y-ecologia-politica\\\/\"},\"author\":{\"name\":\"Alberto Berzosa\",\"@id\":\"https:\\\/\\\/desarrollo.montera34.com\\\/#\\\/schema\\\/person\\\/c0acbac0089f71f31fe664aa64de8d5c\"},\"headline\":\"IV session of the permanent seminar &#8220;Images (of art) and political ecology&#8221;\",\"datePublished\":\"2023-04-19T09:04:26+00:00\",\"dateModified\":\"2023-04-19T09:20:18+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/desarrollo.montera34.com\\\/congresos\\\/iv-sesion-del-seminario-permanente-imagenes-del-arte-y-ecologia-politica\\\/\"},\"wordCount\":424,\"publisher\":{\"@id\":\"https:\\\/\\\/desarrollo.montera34.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/desarrollo.montera34.com\\\/congresos\\\/iv-sesion-del-seminario-permanente-imagenes-del-arte-y-ecologia-politica\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/desarrollo.montera34.com\\\/wp-content\\\/uploads\\\/2023\\\/04\\\/IMG20220603152451-scaled-e1681894999963.jpg\",\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/desarrollo.montera34.com\\\/congresos\\\/iv-sesion-del-seminario-permanente-imagenes-del-arte-y-ecologia-politica\\\/\",\"url\":\"https:\\\/\\\/desarrollo.montera34.com\\\/congresos\\\/iv-sesion-del-seminario-permanente-imagenes-del-arte-y-ecologia-politica\\\/\",\"name\":\"IV session of the permanent seminar \\\"Images (of art) and political ecology\\\" - 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Trabaja en el espacio donde se intersectan el arte contemor\u00e1neo, la historia del cine espa\u00f1ol, los archivos de car\u00e1cter pol\u00edtico y la curador\u00eda. Es autor de los libros Cine y sexopol\u00edtica (Brumaria, 2020), Homoherej\u00edas F\u00edlmicas (Brumaria, 2014) y C\u00e1mara en mano contra el franquismo (Al Margen, 2009). Tambi\u00e9n ha comisariado algunas exposiciones como \\\"Madrid Activismos 1968-1982\\\" en La Casa Encendida o \\\"Sexopol\u00edticas del cine marginal. A\u00f1os 70 y 80\\\" en el Institut Valenci\u00e0 d'Art Modern. Es coautor del ensayo f\u00edlmico Memorias de Unltramar (2021). Actualmente es profesor asociado en la Universidad Carlos III de Madrid y es investigador del proyecto Est\u00e9tica F\u00f3sil del Consejo Superior de Investigaciones Cient\u00edficas (CSIC).\",\"url\":\"https:\\\/\\\/desarrollo.montera34.com\\\/en\\\/author\\\/alberto-berzosa\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"IV session of the permanent seminar \"Images (of art) and political ecology\" - Est\u00e9tica F\u00f3sil","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/desarrollo.montera34.com\/congresos\/iv-sesion-del-seminario-permanente-imagenes-del-arte-y-ecologia-politica\/","og_locale":"en_US","og_type":"article","og_title":"IV session of the permanent seminar \"Images (of art) and political ecology\" - Est\u00e9tica F\u00f3sil","og_description":"IV session of the permanent seminar &#8220;Images (of art) and political ecology&#8221;: Contesting conservation. 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Trabaja en el espacio donde se intersectan el arte contemor\u00e1neo, la historia del cine espa\u00f1ol, los archivos de car\u00e1cter pol\u00edtico y la curador\u00eda. Es autor de los libros Cine y sexopol\u00edtica (Brumaria, 2020), Homoherej\u00edas F\u00edlmicas (Brumaria, 2014) y C\u00e1mara en mano contra el franquismo (Al Margen, 2009). Tambi\u00e9n ha comisariado algunas exposiciones como \"Madrid Activismos 1968-1982\" en La Casa Encendida o \"Sexopol\u00edticas del cine marginal. A\u00f1os 70 y 80\" en el Institut Valenci\u00e0 d'Art Modern. Es coautor del ensayo f\u00edlmico Memorias de Unltramar (2021). Actualmente es profesor asociado en la Universidad Carlos III de Madrid y es investigador del proyecto Est\u00e9tica F\u00f3sil del Consejo Superior de Investigaciones Cient\u00edficas (CSIC).","url":"https:\/\/desarrollo.montera34.com\/en\/author\/alberto-berzosa\/"}]}},"_links":{"self":[{"href":"https:\/\/desarrollo.montera34.com\/en\/wp-json\/wp\/v2\/posts\/35009","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/desarrollo.montera34.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/desarrollo.montera34.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/desarrollo.montera34.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/desarrollo.montera34.com\/en\/wp-json\/wp\/v2\/comments?post=35009"}],"version-history":[{"count":1,"href":"https:\/\/desarrollo.montera34.com\/en\/wp-json\/wp\/v2\/posts\/35009\/revisions"}],"predecessor-version":[{"id":35010,"href":"https:\/\/desarrollo.montera34.com\/en\/wp-json\/wp\/v2\/posts\/35009\/revisions\/35010"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/desarrollo.montera34.com\/en\/wp-json\/wp\/v2\/media\/35004"}],"wp:attachment":[{"href":"https:\/\/desarrollo.montera34.com\/en\/wp-json\/wp\/v2\/media?parent=35009"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/desarrollo.montera34.com\/en\/wp-json\/wp\/v2\/categories?post=35009"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/desarrollo.montera34.com\/en\/wp-json\/wp\/v2\/tags?post=35009"},{"taxonomy":"actividad","embeddable":true,"href":"https:\/\/desarrollo.montera34.com\/en\/wp-json\/wp\/v2\/actividad?post=35009"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}