{"version":"1.0","provider_name":"Est\u00e9tica F\u00f3sil","provider_url":"https:\/\/desarrollo.montera34.com\/en\/","author_name":"Alberto Berzosa","author_url":"https:\/\/desarrollo.montera34.com\/en\/author\/alberto-berzosa\/","title":"Santiago Vilanova and the double exception (1) - Est\u00e9tica F\u00f3sil","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"oZo02LB3q2\"><a href=\"https:\/\/desarrollo.montera34.com\/en\/publicacione\/santiago-vilanova-and-the-double-exception-1\/\">Santiago Vilanova and the double exception (1)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/desarrollo.montera34.com\/en\/publicacione\/santiago-vilanova-and-the-double-exception-1\/embed\/#?secret=oZo02LB3q2\" width=\"600\" height=\"338\" title=\"&#8220;Santiago Vilanova and the double exception (1)&#8221; &#8212; Est\u00e9tica F\u00f3sil\" data-secret=\"oZo02LB3q2\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/desarrollo.montera34.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/esteticafosil.csic.test\/wp-content\/uploads\/2021\/07\/Portugal_254-600x381-1.jpg","thumbnail_width":600,"thumbnail_height":381,"description":"The militant cinema of Santiago Vilanova, best known for his work as a journalist and anti-nuclear activist, contributes to repairing some of the silences and veils present in the critical visualisations of the transition in Spain. This first post deals specifically with the interest aroused in his generation by the Carnation Revolution in Portugal. Appeared [&hellip;]"}